WHAT ABOUT CONTEMPORARY MUSIC?
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Should it be used in church services?
Some contemporary music is honoring to God,
and some is not.
Motive, method, and doctrine must all be examined.
#1 Motive: Motives like getting away from hymns, updating the church, becoming
relevant to culture, attracting unbelievers, sounding like the world, appealing
to youth, not boring the congregation, changing it up, etc; these are poor
motives that do not honor God or worship Him, as they focus on the self. They
also do harm to the call to be in the world, but not of it.
The motive to play a song (old or new) should simply be that it is a song good
for worshiping the Lord!
#2 Method:
Not every CW band will have these problems. They are common though, so the music
is often confused with the method.
Sustained loud music is actually unsafe (loss of hearing), and painful for many
congregants (headaches, seizures, etc). This has a tendency to force the elderly
and the sensitive to sit outside or in the back. It is not just people with
medical conditions who may be affected by loud music or strong vibrations.
While 'max' volume is going to vary by the individual health needs of the
church, a basic guideline for everyone is that normal worship music should be
under 85 decibels, and there can be -short- peaks and bursts that go higher
(never an entire set or longer than 15 minutes, as hearing loss sets in with
sustained 90+ music). The maximum volume can always be less; God can hear
equally well at 3 decibels or 300.
Other problems that may creep into the method of presentation are
-the secularization of the church (as in, the band is trying deliberately to
look like the world).
-'come as you are, and stay that way' mentality. The band exhorts us not to be
holy and set apart in the righteousness of Christ, but to revel in our broken
humanity
- the worship of the band over the worship of God (the praises of the band are
extolled "come see the hip new band with great lyrics and awesome music! They
are really on fire!" while the praises of God are minimized (Explicit praises
like 'How excellent are the things you have made, your wonders fill the earth'
are replaced with vague and self-focused lines like 'I love to praise you God,
I'm going to praise you, look how we praise you', etc - while never actually
getting around to the actual praising). Posters and advertisements for bands and
events may be made with lots of information and pictures about the band members,
but very little (sometimes even nothing) about Jesus.
-Biblical ideas on worship (service, praise, thanksgiving, etc) can be replaced
by experiential high and entertainment. While the Bible emphasizes being set
apart, extolling the glory of God, and laying our life down as a living
sacrifice all as different types of worship - contemporary music often treats
worship as the experiential 'feeling' of being close to God.
- Musically, the songs are often difficult for the congregation to sing. They
often tend to be 'performance' songs.
-Vain repetition and filler words (Woahahooooahoh...), rather than increasing
the mindfulness of our worship, have a tendency to zone out the mind and focus
the person on the feeling.
- A hip image may be prized over embracing spiritual gifts and talents. Many
sound problems come from imbalanced sound, or bad singers. Compound a bad sound
system or off-key musicians with loud volume, and you will end up with a
distracted congregation that is in pain. The same goes for song-writing.
#3 Doctrine: While there are many wonderful contemporary songs that will likely
endure as classics - contemporary songs overall trend towards being vague. Many
songs do not shy in bringing in strange theologies, or skew towards personal
view points. Many could easily be secular love songs (In the Secret). Some warp
scripture entirely (Days of Elijah), or flip around scripture to highlight self
(Above All).
It is fine to use contemporary songs, but test any song against scripture, and
be sure the motive and manner are for the worship of God.
View
THE DISTRACTION
DILEMMA - A music overview Seminar